Refresh! Conference - Presentations: Recent submissions
Now showing items 21-40 of 118
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Slow Time in Contemporary Media Arts
Slow time is one of contemporary art's most persistent (although under-studied) modus operandi. It has been especially pivotal to the development of video art. In the 1970s, Nam June Paik claimed that video is essentially ... -
SAT-TEL-COMP (Satellite-Telephone-Computer): Beginnings of Multi-Dimensional Artist Networks through the Connectivity of (Technological) Telecommunication Devices and Human Dialogue
The history of SAT-TEL-COMP at Open Space (Victoria, British Columbia, Canada) and COLLABORATORY as a curatorial basis which set the groundwork for a communications network between artists, engineers. As well, the creation ... -
Richard Monkhouse & Peter Donebauer, and Development of the EMS Spectron and the Videokalos Image Processor
This paper discusses the background, origins and development, as well as the functions and operation, of two early British video synthesisers by the artist/engineers who designed and built them: the EMS “Spectron” by Richard ... -
RE-writing the History of Media Art: How Hypermedia Change our Vision of the Past (The Case of Artistic Collaboration)
When we discuss the issue of the collaborative practices in the context of the avant-garde art we have, first of all to say that the avant-garde has been always considered a phenomenon based on the idea of the artistic ... -
REMEMBER THE PHANTASMAGORIA! Virtual Art of the 19th century and its future
Virtual Art of the 19th century and its future The medium Phantasmagoria, developed from the Laterna Magica and part of the history of immersion, opened up the virtual depth of the image space for the first time as a ... -
MediaArtHistories: Times and Landscapes 2 (Q&A session)
The panel consisted of the following presentations: • ‘Towards a Comprehensive Technological History of Art’ by Edward Shanken; • ‘Early British Computer Art: the Findings of the CACHe Project’ by Charly Gere; • ‘How ... -
High Art/Low Culture – the Future of Media Art Sciences? (Q&A session)
The panel consisted of the following presentations: • ‘High Art/Low Culture - the Future of Media art Sciences?’ by Karin Bruns; • ‘Immersive and participative environments’ by Yara Rondon Guasque Araujo; • ‘Lowbrow, ... -
Art as Research / Artists as Inventors (Q&A session)
The panel consisted of the following presentations: • ‘Art as Research/ Artists as Inventors’ by Dieter Daniels; • ‘Richard Monkhouse & Peter Donebauer, and Development of the EMS Spectron and the Videokalos Image ... -
Image Science and ‘Representation’: From a Cognitive Point of View (Q&A session)
The panel consisted of the following presentations: • ‘Picturing Uncertainty: From Representation to Mental Representation’ by Barbara Stafford; • ‘Once upon a time there was a database: Database and narrative from a ... -
Methodologies (Q&A session)
The panel consisted of the following presentations: • ‘Between Media and Art, or Media Art with and against Art History’ by Mark Hansen; • ‘Media Arts and Media Archaeology – Collision or Convergence’ by Erkki Huhtamo; ... -
Rejuvenate: Film, Sound and Music in Media Arts History (Q&A session)
The panel consisted of the following presentations: • ‘Music: The First Digital Art’ by Douglas Kahn; • ‘Projection: Vanishing and Becoming’ by Sean Cubitt; • ‘Hollis Frampton’s Algorithmic Aesthetic’ by Keith Sanborn. -
Pop/Mass/Society (Q&A session)
The panel consisted of the following presentations: • ‘Technology as Art: ‘Device Art’ as a New Japanese Paradigm’ by Machiko Kusahara; • ‘Archiving of Computer Games’ by Andreas Lange; • ‘Computer Games: Art in the ... -
MediaArtHistories: Times & Landscapes 1 (Q&A session)
The panel consisted of the following presentations: • ‘Islamic Automation: A reading of al-Jazari’s The Book of Knowledge of Ingenious Mechanical Devices (1206)’ by Gunalan Nadarajan; • ‘REMEMBER THE PHANTASMAGORIA! ... -
Cross-Disciplinary Research Methods (Q&A session)
The panel consisted of the following presentations: • ‘Events of Significance’ by Frieder Nake; • ‘Is New Media New?’ by Ron Burnett; • ‘Transculturation and New Media History’ by Dot Tuer; • ‘Grounded Materialities: ... -
Database/New Scientific Tools (Q&A session)
The panel consisted of the following presentations: • ‘“Media Art Net”: Database and Context’ by Rudolf Frieling; • ‘Database of Virtual Art - For an Expanded Concept of Documentation’ by Christian Berndt; • ‘V2_'s ... -
Cross-Culture – Global Art (Q&A session)
The panel consisted of the following presentations: • ‘Cross Culture – Global Art’ by Sara Diamond; • ‘CyberRace Constructs: Transnational Identities in R. Kempadoo’s Ghosting’ by Sheila Petty; • ‘From Cybercolonialism ... -
Post-Guten(morgen)berg: Soundings for a North/South Atlas of Art and New Media Histories
A look at some of the ideas, concepts and theoretical models Rudolf Arnheim took up over the years to probe ongoing and emerging domains of visual experience, processes and technologies. Can his conceptual kit — made up ... -
Picturing Uncertainty: From Representation to Mental Representation
Recently, the philosopher Galen Strawson suggested that there has been an over-emphais on narrative in the construction of self, at the expense of non-narrative constructions – evident in writers such as Montaigne, Proust ... -
Permanence Through Change: The Variable Media Approach
Since 1999, the Centre for Research and Documentation (CR+D) of The Daniel Langlois Foundation is building a documentation collection on the history, artworks and practices associated with the electronic, digital and media ...