SAT-TEL-COMP (Satellite-Telephone-Computer): Beginnings of Multi-Dimensional Artist Networks through the Connectivity of (Technological) Telecommunication Devices and Human Dialogue

Abstract

The history of SAT-TEL-COMP at Open Space (Victoria, British Columbia, Canada) and COLLABORATORY as a curatorial basis which set the groundwork for a communications network between artists, engineers. As well, the creation and development of Direct Media Association (1974-1984) by Bill Bartlett, and early communication networks between artists and through engineers. Also discussed are early information technology systems across Canada, the U.S. and internationally and their role in art making of the mid to late 1970’s. We have come to reassess the ideals of production and imagery through an analysis of following: the interaction of regional and local art, Government supported networks with the international art world, new media's historical use of the satellite as a precursor to the Internet and streaming video, and the use of slow-scan television during the period of 1978 through 1981. This is ultimately where it has led us in today’s world of variable media. This paper was presented at the REFRESH conference, First International Conference on the Media Arts, Sciences and Technologies held at the Banff Center Sept 29-Oct 4 2005 and co-sponsored by the Banff New Media Institute, the Database of Virtual Art and Leonardo/ISAST. It will contextualize the networks, personal computer and other pertinent technologies within these early telecommunication collaborations between artists and technology. This presentation will also explore such aspects as the early satellite, telephone and computer equipment used in the development of these artistic networks and the projects that contributed to the globalization of technology.