Donau Universitaet: Recent submissions

Now showing items 101-120 of 438

    • Technology as Art: 'Device Art' as a New Japanese Paradigm 

      Kusahara, Machiko
      Device art is a proposal to re-examine art-science-technology relationship both from contemporary and historical aspects. The concept is derived from Japanese media art scene, but it has a universal nature reflecting what ...

    • Slow Time in Contemporary Media Arts 

      Ross, Christine
      Slow time is one of contemporary art's most persistent (although under-studied) modus operandi. It has been especially pivotal to the development of video art. In the 1970s, Nam June Paik claimed that video is essentially ...

    • SAT-TEL-COMP (Satellite-Telephone-Computer): Beginnings of Multi-Dimensional Artist Networks through the Connectivity of (Technological) Telecommunication Devices and Human Dialogue 

      Jarvis, Douglas; Turner, Jeremy; Davis, Todd A.
      The history of SAT-TEL-COMP at Open Space (Victoria, British Columbia, Canada) and COLLABORATORY as a curatorial basis which set the groundwork for a communications network between artists, engineers. As well, the creation ...

    • Richard Monkhouse & Peter Donebauer, and Development of the EMS Spectron and the Videokalos Image Processor 

      Meigh-Andrews, Chris
      This paper discusses the background, origins and development, as well as the functions and operation, of two early British video synthesisers by the artist/engineers who designed and built them: the EMS “Spectron” by Richard ...

    • RE-writing the History of Media Art: How Hypermedia Change our Vision of the Past (The Case of Artistic Collaboration) 

      Kluszczynski, Ryszard
      When we discuss the issue of the collaborative practices in the context of the avant-garde art we have, first of all to say that the avant-garde has been always considered a phenomenon based on the idea of the artistic ...

    • REMEMBER THE PHANTASMAGORIA! Virtual Art of the 19th century and its future 

      Grau, Oliver
      Virtual Art of the 19th century and its future The medium Phantasmagoria, developed from the Laterna Magica and part of the history of immersion, opened up the virtual depth of the image space for the first time as a ...

    • History of Institutions (Q&A session) 

      Sakane, Itsuo; Broeckmann, Andreas; Reichardt, Jasia; Naimark, Michael; Richards, Peter; Goebel, Johannes

    • MediaArtHistories: Times and Landscapes 2 (Q&A session) 

      Fernandez, Maria; Lacerte, Sylvie; Collins Goodyear, Anne; Seck Langill, Caroline; Shanken, Edward; Rosen, Margit; Fritz, Darko; Grant, Taylor; Gere, Charly
      The panel consisted of the following presentations: • ‘Towards a Comprehensive Technological History of Art’ by Edward Shanken; • ‘Early British Computer Art: the Findings of the CACHe Project’ by Charly Gere; • ‘How ...

    • High Art/Low Culture – the Future of Media Art Sciences? (Q&A session) 

      Guasque Araujo, Yara Rondon; Bruns, Karin; Pias, Claus; Paul, Barbara; Polaine, Andrew
      The panel consisted of the following presentations: • ‘High Art/Low Culture - the Future of Media art Sciences?’ by Karin Bruns; • ‘Immersive and participative environments’ by Yara Rondon Guasque Araujo; • ‘Lowbrow, ...

    • Art as Research / Artists as Inventors (Q&A session) 

      Borck, Cornelius; Penny, Simon; Turner, Fred; Daniels, Dieter; Meigh-Andrews, Chris
      The panel consisted of the following presentations: • ‘Art as Research/ Artists as Inventors’ by Dieter Daniels; • ‘Richard Monkhouse & Peter Donebauer, and Development of the EMS Spectron and the Videokalos Image ...

    • Image Science and ‘Representation’: From a Cognitive Point of View (Q&A session) 

      Clark, Tim; Salter, Christopher; Thurtle, Philipp; Valdes, Claudia X.; Ross, Christina; Veel, Kristin; Stafford, Barbara
      The panel consisted of the following presentations: • ‘Picturing Uncertainty: From Representation to Mental Representation’ by Barbara Stafford; • ‘Once upon a time there was a database: Database and narrative from a ...

    • Methodologies (Q&A session) 

      Hansen, Mark; Huhtamo, Erkki; Broeckmann, Andreas
      The panel consisted of the following presentations: • ‘Between Media and Art, or Media Art with and against Art History’ by Mark Hansen; • ‘Media Arts and Media Archaeology – Collision or Convergence’ by Erkki Huhtamo; ...

    • Rejuvenate: Film, Sound and Music in Media Arts History (Q&A session) 

      Sanborn, Keith; Cubitt, Sean; Kahn, Douglas
      The panel consisted of the following presentations: • ‘Music: The First Digital Art’ by Douglas Kahn; • ‘Projection: Vanishing and Becoming’ by Sean Cubitt; • ‘Hollis Frampton’s Algorithmic Aesthetic’ by Keith Sanborn.

    • Pop/Mass/Society (Q&A session) 

      Kusahara, Machiko; Keifer-Boyd, Karen; Lange, Andreas; Crockett, Tobey; Tribe, Mark
      The panel consisted of the following presentations: • ‘Technology as Art: ‘Device Art’ as a New Japanese Paradigm’ by Machiko Kusahara; • ‘Archiving of Computer Games’ by Andreas Lange; • ‘Computer Games: Art in the ...

    • MediaArtHistories: Times & Landscapes 1 (Q&A session) 

      Carpo, Mario; Grau, Oliver; Nadarajan, Gunalan
      The panel consisted of the following presentations: • ‘Islamic Automation: A reading of al-Jazari’s The Book of Knowledge of Ingenious Mechanical Devices (1206)’ by Gunalan Nadarajan; • ‘REMEMBER THE PHANTASMAGORIA! ...

    • Cross-Disciplinary Research Methods (Q&A session) 

      Nake, Frieder; Burnett, Ron; Tomas, David; Durand, Guy Sioui; Straw, Will; Century, Michael; Tuer, Dot
      The panel consisted of the following presentations: • ‘Events of Significance’ by Frieder Nake; • ‘Is New Media New?’ by Ron Burnett; • ‘Transculturation and New Media History’ by Dot Tuer; • ‘Grounded Materialities: ...

    • Database/New Scientific Tools (Q&A session) 

      Rinehart, Richard; Grau, Oliver; Berndt, Christian; Frieling, Rudolf; Depocas, Alain
      The panel consisted of the following presentations: • ‘“Media Art Net”: Database and Context’ by Rudolf Frieling; • ‘Database of Virtual Art - For an Expanded Concept of Documentation’ by Christian Berndt; • ‘V2_'s ...

    • Cross-Culture – Global Art (Q&A session) 

      Marks, Laura U.; Sharma, Aparna; Riccio, Thomas; Leigh Morbey, Mary; Petty, Sheila; Diamond, Sara
      The panel consisted of the following presentations: • ‘Cross Culture – Global Art’ by Sara Diamond; • ‘CyberRace Constructs: Transnational Identities in R. Kempadoo’s Ghosting’ by Sheila Petty; • ‘From Cybercolonialism ...

    • Post-Guten(morgen)berg: Soundings for a North/South Atlas of Art and New Media Histories 

      Maharaj, Sarat
      A look at some of the ideas, concepts and theoretical models Rudolf Arnheim took up over the years to probe ongoing and emerging domains of visual experience, processes and technologies. Can his conceptual kit — made up ...

    • Picturing Uncertainty: From Representation to Mental Representation 

      Stafford, Barbara
      Recently, the philosopher Galen Strawson suggested that there has been an over-emphais on narrative in the construction of self, at the expense of non-narrative constructions – evident in writers such as Montaigne, Proust ...