| dc.date.accessioned | 2019-07-03T09:47:30Z | |
| dc.date.available | 2019-07-03T09:47:30Z | |
| dc.identifier.uri | http://95.216.75.113:8080/xmlui/handle/123456789/366 | |
| dc.description | This video showing the discussion after panel 1 (day3)was recorded at REFRESH! THE FIRST INTERNATIONAL CONFERENCE ON THE HISTORIES OF ART, SCIENCE AND TECHNOLOGY - September 28 - 0ct 1, as a peer-reviewed scholarly work chosen for inclusion. | |
| dc.type | Video | |
| dc.title | Cross-Culture – Global Art (Q&A session) | |
| dc.contributor.author | Marks, Laura U. | |
| dc.contributor.author | Sharma, Aparna | |
| dc.contributor.author | Riccio, Thomas | |
| dc.contributor.author | Leigh Morbey, Mary | |
| dc.contributor.author | Petty, Sheila | |
| dc.contributor.author | Diamond, Sara | |
| dc.description.abstract | The panel consisted of the following presentations:
• ‘Cross Culture – Global Art’ by Sara Diamond;
• ‘CyberRace Constructs: Transnational Identities in R. Kempadoo’s Ghosting’ by Sheila Petty;
• ‘From Cybercolonialism to Cyberglocalization: A Virtual Shifting of Cultural Identity on National Musea Websites’ by Mary Leigh Morbey;
• ‘World Narrative: The Creation of a New? Place?’ by Thomas Riccio;
• ‘Oscillations… Occasions of Excess and Interrogation Aparna Sharma;
• ‘Latent Rhythm: Algorithmic Performativity in Media Art and Islamic Calligraphy’ by Laura U. Marks. | |
