dc.date.accessioned | 2019-06-26T14:48:23Z | |
dc.date.available | 2019-06-26T14:48:23Z | |
dc.identifier.uri | http://95.216.75.113:8080/xmlui/handle/123456789/334 | |
dc.description | This video was recorded at REFRESH! THE FIRST INTERNATIONAL CONFERENCE ON THE HISTORIES OF ART, SCIENCE AND TECHNOLOGY - September 28 - 0ct 1, as a peer-reviewed scholarly work chosen for inclusion. | |
dc.type | Video | |
dc.title | Computation, Aesthetics, and Representation: A Critical Examination of the "The Thesis of Computational Sufficiency & Explanation" and the Incorporation of "The Argument from Human Creativity" | |
dc.contributor.author | Clark, Tim | |
dc.description.abstract | This talk critically examines two theoretical proposals with respect to contemporary Philosophy of Mind and Aesthetics - The Thesis of Computational Sufficiency and Explanation” and what I refer to as “The Argument from {Human} Creativity. Philosophically the concept of “being creative” as a definable, foundational characteristic of Human socio-cognitive experience, initially appears during the early articulation of Enlightenment aesthetics and German proto-Romantic anthropology. It is this talk´s contention that contemporary attempts at the modeling of creative intelligence are theoretically provocative, ethically troubling and, certainly one of the most intriguing historical developments since the publication of Immanuel Kant´s Kritik der Urteilskraft {Critique of Judgment} in 1790. | |