| dc.date.accessioned | 2019-06-25T13:39:37Z | |
| dc.date.available | 2019-06-25T13:39:37Z | |
| dc.identifier.uri | http://95.216.75.113:8080/xmlui/handle/123456789/267 | |
| dc.description | This is part of a broader research on centres and perifery in 20th century Latin American Art with regard to the notion of 'sculptural topology'. | |
| dc.language.iso | en | |
| dc.type | Book chapter | |
| dc.title | Topology the historiography of interactivity: Lygia Clark’s and Gabriel Orozco’s ‘endless sculptures’ | |
| dc.contributor.author | Kaniari, Assimina | |
| dc.description.abstract | The historiographic consequences of Lygia Clark's work in relation of the concept of interactivity is re-examined through a novel classification taking into account the notion of a 'topological' sculpture. | |
| dc.subject | Topology, interactivity, 'endless spaces', scultpure and 20th century art | |
