2. re:place 2007
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An interdisciplinary forum of over 70 researchers and artists from all over the world, re:place 2007 presents multiple historical relations between art, science and technology. The title ‘re:place’ refers to the sites and the migration of artistic and knowledge production. This theme is highlighted during the panel discussions and poster sessions, particularly in the ‘Place Studies’ stream which looks at specific historical instances and settings. Special attention will be given to alternatives to the ‘Western’ historical paradigms through presentations about art-science relations in the former Soviet Union, Africa, and Latin America. The conference includes general forum discussions on interdisciplinary research strategies, as well as keynote lectures by Lorraine Daston and Siegfried Zielinski. replace 2007 is a project of Kulturprojekte Berlin GmbH in cooperation with Haus der Kulturen der Welt, Berlin. Funded by Hauptstadtkulturfonds, Berlin. Conference partners include Leonardo, Database of Virtual Art at Danube University Krems’ Center for Image Science, Ludwig Boltzmann Institute Media.Art.Research, Helmholtz-Zentrum für Kulturtechnik at Humboldt Universität Berlin, Institut für Auslandsbeziehungen, and others. Supported by Tschechisches Zentrum Berlin – CzechPoint and Schwedische Botschaft Berlin. Conference chairs: Andreas Broeckmann (D), Gunalan Nadarajan (SG/USA)
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Topology the historiography of interactivity: Lygia Clark’s and Gabriel Orozco’s ‘endless sculptures’
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Telephagy, Schizolanguages and Libidoeconomy: metaphors that agglutinate the teleperformances of Perforum Desterro.
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Telefagia, Esquizolinguagens e Libidoeconomia: as metáforas aglutinantes das teleperformances do Perforum Desterro
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Revolution of the Ear?
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New media art in Lithuania
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Nation as a Mode of Consumption
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Iambic Tetrameter in the Service of Revolution
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The Haptic Transfer and the Travels of the Abstract Line: Embodied perception from classical Islam to modern Europe
(Löcker Verlag (Vienna), 2007)The major formal elements of Western modernism, the haptic image and abstract line (see Deleuze and Guattari 1987), arrived to the West in considerable part through the influence of Islamic art. The occurrence of these ... -
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Force and its Measure
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Force and its Measure
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Exchanging Information: metaphors of computation in neuroscience, genetics and new media art
(Museum of Contemporary Arts, Sydney, Australia, 2006)This paper argues that a common element of language exists between art and science. However, this element does not assist transparent communication between the two fields, as it is primarily metaphor that is the shared ...
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