This paper explores the idea of a contemporary Writing Machine. It theorises this notion as a further development of Borges's modernisation of Ramon Llull's 'thinking machine'. The paper applies this analysis to Wikipedia, ...

This paper examines the relationship between art and science in the discovery of photography. It concerns an original photographic process created by the Frenchman Hercule Florence in the 19th century Brazil, simultaneously ...

Ambientes imersivos e participativos nesse texto são espaços que se utilizam do sistema computacional para promover uma ilusão perceptiva e que estimulam os sentidos do visitante através de aparatos multimidiáticos. Nos ...

Once upon a time there was a database-Database and narrative from a cognitive (...) If narration makes up a core element in how we perceive and understand the world, such as has been argued from various corners of the ...

It is increasingly accepted that, alongside cybernetics, computer science, music and the visual arts, experimental performance practice is also essential for an understanding of past and present media arts history. After ...

In the 1970s, and in parallel to the increasing visibility of computer technologies in culture, the term software was employed as a cultural metaphor to indicate a shift away from an emphasis on the (hardware) object of ...

The historic meeting of electrical engineer Billy Kluver and painter Robert Rauschenberg at the Museum of Modern Art in 1960 symbolizes a larger technocultural convergence of the worlds of research-based applied sciences ...

In 1951 LL Whyte edited the proceedings of the symposium Aspects of Form which accompanied the ICA exhibition On Growth and Form curated by Richard Hamilton. Whyte advocated a ‘structural’ vision of nature and art and such ...