dc.description.abstract | While analyzing the status of tactical media in the middle of the past decade, Felix Stalder makes a drastic diagnosis,
that tactical media are a finished project. I think, however, that this statement should be read not as an description of
the facts, but a provocative challenge to rethink the concept of tactical media.
In my paper I analyze theoretical reinterpretations of tactical media referring to latest propositions. Then I am going to
pose a question about the characteristics of contemporary forms of the critical media art, and I will attempt to present
my own answer to the question in the title.
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First I present an overview of reinterpretations of tactical media as proposed by authors such as: Stalder, Lovink,
Kluitenberg, Raley and Dieter. Next, I point to controversies and problems as well as new conceptualizations of
tactical media. I focus on the following issues above all: the need to rearticulate the dichotomy of tactics and
strategies in the context of transformations of the network society; sustainability of tactical media and the
effectiveness of tactical resistance in the face of new power regimes in the network control society. In the last part I
propose understanding tactical media as a cultural contamination, leading to a critical interpretation of standards and
values supporting the neoliberal status quo. In this conceptualization tactical media become a kind of theoretical
parxis, which goal is to show what Chantal Mouffe calls “the paradoxes of democracy” the immanent incoherencies
and tensions between the various logic systems, discourses and practices within the neoliberal democracy. | |